Documenting Seenku (Mande, Burkina Faso) language and music, with special attention to tone


Documenting Seenku (Mande, Burkina Faso) language and music, with special attention to tone

Language: Seenku (ISO639-3:sos)
Depositor: Laura McPherson
Location: Burkina Faso
Deposit Id: 0490
Level: Deposit


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Summary of deposit

This deposit consists of audio and video recordings of Seenku, an endangered Northwestern Mande language spoken in Burkina Faso. The majority of the recordings are of the southern dialect, spoken in and around Bouendé (Gbene), though a few recordings of the northern dialect of Karangasso are also included. While a wide variety of oral genres are included, special attention is paid to the musical adaptation of Seenku, both through sung texts and instrumental surrogate languages, especially the balafon, a West African resonator xylophone.

The data were collected, transcribed, and translated by linguist and PI Laura McPherson, with the help of the Seenku-speaking community, especially Sy Clément Traoré and Gni Emma Traoré.

In addition to video documentation of naturalistic speech and oral genres, the collection also includes audio recordings and scanned notes of all elicitation sessions on the language. In the file naming conventions, textual data (folktales, riddles, conversation, narratives, interviews) is coded as “t”, elicited data as “e”, and finally recordings with only music (either vocal or instrumental) as “m”.



Group represented

The ethnic group that speaks Seenku is known by the exonym Sembla (or Sambla), though the Seenku term for the ethnicity is Sɛ̰́ɛ̰ (cf. Sɛ̰́ɛ̰-məgɔ̂ ‘Sembla person’, Sɛ̰́ɛ̰-kû ‘Sembla language, Seenku’). “Sembla country” is located about 40km west of Bobo-Dioulasso in southwest Burkina Faso (Houet Province). Most data in the deposit represents the speech practices of southern Sembla villages, primarily Bouendé and Toronsso, recorded with speakers both in Burkina Faso and abroad.



Special characteristics

Seenku has a number of fascinating phonological characteristics. First and foremost is its complex tone system. With four contrastive levels (extra low , low , high , and super-high ) that can combine to form over ten contour tones, and with a high functional load both lexically and grammatically, Seenku boasts one of the most complex tone systems on earth. The richness of the tone system is what allows musical surrogate languages such as that played on the balafon to flourish.

Second, Seenku has undergone heavy iambic reduction, leaving historically disyllabic words as “sesquisyllabic” (Matisoff 1990), or, a syllable and a half. For example, while Dioula shows saga ‘sheep’, Seenku displays səgȁ, where the short schwa in the half-syllable is never pronounced as a full vowel, even in slow and careful speech. Such sesquisyllabic vocabulary is reminiscent of Southeast Asian languages like Burmese.

Syntactically, Seenku follows the canonical Mande word order of S Aux O V X, where X includes adverbs, postpositional phrases, and indirect objects. The language is in the process of losing many of the Mande post-subject “predicate markers”; the clitics are falling away, leaving only supersegmental marking behind on the subject. Finally, the predominant negation strategy in Seenku is the use of the clause-final negative particle ŋɛ́, an areal feature in this part of West Africa.



Deposit contents

Seenku is a Northwestern Mande language of the Samogo group spoken by approximately 17,000 people. It is also known by the names Seeku, Sembla, or Sambla. Speakers are almost exceptionlessly bilingual in Dioula (Jula/Bamana/Bambara), and loan words and code switching are not uncommon, especially among younger speakers. Individuals with more formal education also speak French at varying levels. All three of these languages are represented in the deposit.

This deposit contains data collected by Laura McPherson in Burkina Faso, the United States, and Austria from 2013 to the present. In 2017, McPherson trained consultants and collaborators Sy Clément Traoré and Gni Emma Traoré to video record and transcribe data, allowing for more materials to be added when the PI is not present.



Deposit history


Other information

None of the data in this collection may be used as evidence in court.



Acknowledgement

Users of any part of the collection should acknowledge Laura McPherson as the principal investigator. Users should also acknowledge the National Science Foundation Documenting Endangered Languages program as the funder of the project (BCS-1664335). Individual speakers whose words and/or images are used should be acknowledged by name. Any other contributor who has collected, transcribed or translated the data or was involved in any other way should be acknowledged by name. All information on contributors is available in the metadata.

To refer to any data from the corpus, please cite the corpus in this way:

McPherson, Laura. 2018. Documenting Seenku (Mande, Burkina Faso) language and music, with special attention to tone. London: SOAS, Endangered Languages Archive. URL: http://elar.soas.ac.uk/deposit/0490/. Accessed on [insert date here].



Status

Curated
Resources online and curated

Depositor

Laura McPherson
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Affiliation: Dartmouth College

Deposit Statistics

Data from 2018 April 26 to 2018 April 26
Deposit hits:1
Downloaded files
Without statistics


Showing 1 - 10 of 13 Items


Participants of the traditional fonio farming demonstration dance to drums. Filmed on a Zoom Q8 with the internal microphone.

Recorded on: 2017-07-11




Elders in Bouende demonstrate traditional fonio farming practices, accompanied by the drums dənḭ̌ (barrel drums) and dənṵ̏ (tension drums). For narrated explanation of the video, see sos170714t1. Filmed on a Zoom Q8 with the internal microphone.

Recorded on: 2017-07-11




Elders in Bouende demonstrate traditional fonio harvesting practices, accompanied by the drums dənḭ̌ (barrel drums) and dənṵ̏ (tension drums). For narrated explanation of the video, see sos170714t2. Filmed on a Zoom Q8 with the internal microphone.

Recorded on: 2017-07-11




Elders in Bouende demonstrate traditional fonio harvesting practices, The cut grass is thrashed to remove the seeds. Farm work is accompanied by the drums dənḭ̌ (barrel drums) and dənṵ̏ (tension drums). For narrated explanation of the video, see sos170714t3. Filmed on a Zoom Q8 with the internal microphone.

Recorded on: 2017-07-11




Elders in Bouende demonstrate traditional fonio harvesting practices, accompanied by the drums dənḭ̌ (barrel drums) and dənṵ̏ (tension drums). For narrated explanation of the video, see sos170714t4. Filmed on a Zoom Q8 with the internal microphone.

Recorded on: 2017-07-11






Sy Clement Traore and Gni Emma Traore watch the first video of simulated traditional fonio farming (see bundle sos170711m1) and they describe the activities as they watch. Video recorded with a Zoom Q8 and two Shure SM93 lavalier microphones.

Recorded on: 2017-07-14




Sy Clement Traore and Gni Emma Traore watch the second video of simulated traditional fonio farming (see bundle sos170711m2) and they describe the activities as they watch. Video recorded with a Zoom Q8 and two Shure SM93 lavalier microphones. WAV files suffixed with -L and -R are original audio output from each microphone, while unsuffixed WAV file is the audio track extracted from the video containing both tracks.

Recorded on: 2017-07-14




An interview with head of the Toronsso balafon family Sadama Diabaté and his younger brother Sabɔɛɛ about the origins, construction, and uses of the Sembla balafon.

Recorded on: 2017-07-11